Super 35mm equivalent 4K single-chip CMOS sensor with global shutter:
The PMW-F55’s Sony 4K image sensor incorporates a revolutionary electronic global shutter to eliminate rolling shutter distortions. With 11.6 megapixels (total) and 8.9 megapixels (effective), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image.
16-bit RAW 2K/4K recording options with bolt-on AXS-R5 recorder:
Capture RAW at your choice of resolutions: the camera’s native 4K or beautiful, derived 2K. RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate. Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Colour Encoding System (ACES) workflow.
High speed shooting up to 60 fps 4K and180 fps 2K internally and 240 fps 2KRAW with optional AXS-R5 recorder:
The PMW-F55 features high-data-rate on-board XAVC HD recordings up to 60 fps, plus a free planned upgrade to XAVC 4K, QFHD and 2Kup to 60 fps and XAVC 2K/HD up to180 fps. It also offers 240 fps 2K RAW with the optional AXS-R5 outboard recorder and a planned upgrade, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality.
Real world workflows:
Sony understands a fundamental truth: working cameras require practical workflows. That’s why the F5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools.
Vast exposure latitude to 14 f-stops:
The ability to render tones from deepest shadows to brightest highlights is a crucial test of any digital camera. The F55 excels, with an impressive 14 stops of exposure latitude, extraordinary low-light sensitivity and extremely low noise in the blacks.
True colour technology:
Sony believes that your camera should not limit your colour palette. That is why the F55 incorporates the same advanced colour filter array technology as used in Sony’s flagship F65, which is equipped with the industry’s only 8K sensor. You get a colour gamut that’s not only wider than other digital cameras. It is even wider than motion picture print film.
Choice of viewfinders includes amazing OLED technology:
A digital interface on the F55 allows for a variety of optional viewfinders, including the DVF-EL100. This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition, plus superb OLED brightness, contrast and response. The DVF-L350 3.5-inch* LCD viewfinder has higher resolution (960 x 540) than previous Sony viewfinders, plus ten times the contrast. And the eyepiece flips up for direct monitoring. The DVF-L700 compact 7-inch* LCD viewfinder enables high resolution when shooting in 2K and 4K, not to mention pixel-for-pixel 1920 x 1080 representation of your HD images.
Optional shoulder rig:
The optional Sony shoulder rig provides comfortable handheld operation, hour after hour. The rig is sturdy, lightweight and features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories.
Small lightweight design for added versatility in 3D:
The small size of the F55 is particularly welcome in stereoscopic 3D shooting. The chassis is only slightly wider than a typical PL mount prime lens, perfect for both mirror rigs and side-by-side configurations.
Incredible flexibility with the choice of PL-mount, FZ-mount and still lenses:
The F55 is designed to accommodate PL-mount, FZ-mount and still lenses. With the PL-mount adaptor, you can take advantage of acclaimed cine optics from Angénieux®, Canon, Carl Zeiss, Cooke, FUJIFILM, Leica and more. Slip off the supplied PL-mount adaptor to reveal the native FZ mount with 18 mm flange focal distance. It’s perfect for accepting commercially available adaptors for still lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch broadcast B4 lenses. There’s also Sony’s game-changing FZ-mount auto focus servo zoom: the SCL-Z18X140.