Multi-camera production can be chaotic, confusing, and time consuming. We all know the hassle of wrangling multiple media cards from the cameras, offloading files that are different lengths, with different names, and to different codecs, then attempting to align these in post production with audio/video delay across cameras… Apollo alleviates all of that.
The JVC DT-V21G11 uses a full-HD 1920 x 1080 panel driven by a white LED backlighting. The monitor has a power consumption of 20-30% less compared to similar monitors with CCFL driven lighting, which increases the monitor‘s lifetime by up to 300%.
The Panasonic BT-LH900A 8.4″ LCD Monitor represents the ultimate in video assist technology, able to handle the complete range of SD and HD formats. Packing an ultra high resolution panel into a modest lightweight frame makes this unit the prefect complement to any serious production.
The Panasonic TH-50PF10UK is a 50″ plasma display which contains technology that improves colour rendition, brightness and contrast while achieving new standards in power efficiency and functional lifetime.
The PVM-A170 (17-inch) monitor has a TRIMASTER EL™ OLED panel for outstanding colour accuracy and offers the widest viewing angles of any professional flat-panel monitor on the market, ensuring group monitoring is easy to set-up and exceptionally reliable.
VFM-056W/WP is a state-of-the-art viewfinder monitor specially designed for HDSLR and small camcorder shooters. Utilizing 5.6” LCD panel with high resolution of 1280×800, wide viewing angle of 170 degrees and luminance of 300cd/m2, VFM-056W guarantees the best usability for indoor and outdoor shooting with HDSLR cameras.